Thursday, February 22, 2018

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Free PDF Henry David Thoreau: A Life, by Laura Dassow Walls

Free PDF Henry David Thoreau: A Life, by Laura Dassow Walls

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Henry David Thoreau: A Life, by Laura Dassow Walls

Henry David Thoreau: A Life, by Laura Dassow Walls


Henry David Thoreau: A Life, by Laura Dassow Walls


Free PDF Henry David Thoreau: A Life, by Laura Dassow Walls

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Henry David Thoreau: A Life, by Laura Dassow Walls

Review

A New York Times Notable Book (New York Times)"One of the ten best books of 2017." (Wall Street Journal)"Laura Dassow Walls has written an engaging, sympathetic, and subtly learned biography that mounts a strong case for Thoreau's importance. . . .  Thoreau's political engagement isn't exactly news, but Walls foregrounds it vividly. . . . The details are sometimes wonderful. . . .  Walls's Thoreau is truly a man for all seasons, a person who, in many ways, is a 21st-century liberal’s idea of our best self: pro-­environmental, antiracist, anti-imperialist, feminist, reformist, spiritual but not religious. It is extraordinary how much there was in Thoreau to support this interpretation, and part of the power of Walls's book is how she traces these liberal and humane preoccupations to the radicalism of his family and of Concord’s intellectual life." (Nation)"In this definitive biography, the many facets of Thoreau are captured with grace and scholarly rigor by English professor Walls. By convention, she observes, there were 'two Thoreaus, both of them hermits, yet radically at odds with each other. One speaks for nature; the other for social justice.' Not so here. To reveal the author of Walden as one coherent person is Walls's mission, which she fully achieves; as a result of her vigilant focus Thoreau holds the center--no mean achievement in a work through whose pages move the great figures and cataclysmic events of the period. Emerson, Hawthorne, and Whitman are here; so are Frederick Douglass and John Brown. Details of everyday life lend roundness to this portrait as we follow Thoreau's progress as a writer and also as a reader. Walls attends to the breadth of Thoreau's social and political involvements (notably his concern for Native Americans and Irish-Americans and his committed abolitionism) and the depth of his scientific pursuits. The wonder is that, given her book's richness, Walls still leaves the reader eager to read Thoreau. Her scholarly blockbuster is an awesome achievement, a merger of comprehensiveness in content with pleasure in reading." (Publishers Weekly)"I've always been slightly skeptical of biography doorstops. . . . I read the book in two sittings. It will not be used as a doorstop--ever. . . .  Walls, scouring his published and unpublished writings, gives her readers hundreds of these fleeting chances to catch sight of a beautifully untamed but distinctly American existence. . . . Walls comes as close as any biographer has to giving us the wild Thoreau--disorienting and bewildering."   (John Kaag Chronicle of Higher Education)"Superb. . . . Exuberant. . . . Walls paints a moving portrait of a brilliant, complex man."   (Fen Montaigne New York Times)"A superbly researched and written literary portrait that broadens our understanding of the great American writer and pre-eminent naturalist. . . . Magnificent. . . . A sympathetic and honest portrait that fully captures the private and public life of this singular American figure."   (Kirkus Reviews, starred review)"Study the living being, not its dead shell. And this is precisely what Walls has done in her definitive life of this opinionated, often difficult, but always interesting writer. . . .  To her great credit, Walls gives us so much more than the quotable Thoreau, the bane of the American literature survey course. . . . She immerses herself and her readers fully in Thoreau’s environment, the fields, meadows, woods, and streets of Concord. Walls’s book is, first and foremost, the product of an extraordinary act of empathy. But it is also an outstanding literary achievement. No biographer has more credibly evoked those blisteringly cold, crystal-clear New England winter days, days that, thanks to Walls’s prose, sparkle, glimmer, and chill for us the way they once did for Thoreau. . . . The great imaginative accomplishment of Walls’s book is to put Thoreau firmly back into the community that fostered and, for the most part, protected him."   (Weekly Standard)"As Laura Dassow Walls makes clear in her excellent Henry David Thoreau: A Life, he was a man of obsessively high principles, self-contained, a stickler for details who insisted on his own way of seeing the world, however quirky. . . . Walls earns her keep, digging into Thoreau’s aphoristic letters and journals, finding acute reflections by his contemporaries, and drawing a wonderfully brisk and satisfying portrait. . ."  (Jay Parini Times Literary Supplement)"This new biography is the masterpiece that the gadfly of youthful America deserves. I have been reading Henry David Thoreau and reading about him for 40 years; I’ve written a book about him myself. Yet often I responded to Laura Dassow Walls’s compelling narrative with mutterings such as 'I never knew that' and 'I hadn’t thought of it that way.' I found myself caught up in these New England lives all over again. . . . On a foundation of rigorous scholarship, Walls resurrects Thoreau’s life with a novelist’s sympathy and pacing."    (Michael Sims Washington Post)

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About the Author

Laura Dassow Walls is the William P. and Hazel B. White Professor of English at the University of Notre Dame. She lives in Granger, IN.  

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Product details

Hardcover: 640 pages

Publisher: University of Chicago Press; 1st Edition edition (July 7, 2017)

Language: English

ISBN-10: 022634469X

ISBN-13: 978-0226344690

Product Dimensions:

6 x 1.9 x 9 inches

Shipping Weight: 2.3 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

87 customer reviews

Amazon Best Sellers Rank:

#150,995 in Books (See Top 100 in Books)

The best biography available. Walls does a masterful job of integrating Thoreau's life with his writings.She is of course especially good placing Thoreau's naturalistic and scientific interests in historic context. Thoreau emerges very vividly as a personality with family, friends, business responsibilities, humor, courage, and an insatiable curiosity. A marvelous work."What Thoreau was studying at Walden was how to see, in the wastelands at the margins of commerce, the center of a new system of value." A friend invited to accompany Thoreau on a month-long trip into Canada described Thoreau's way of doing things:"To walk long & far; to have wet feet, & go so for hours; to pull a boat all day; to come home late at night after many miles . . . If you flinched at anything he had no more use for you."

What a splendid life-affirming biography of Henry David Thoreau (1817-1862)! Dr. Laura Dassow Walls, who is an English professor at the University of Notre Dame has written an elegant paen to the sage of Walden Pond fame! Thoreau was born to parents with a Hugenot heritage in Concord Massachusetts. His family became prosperous due to their advances in graphite pencil technology. The family owned a pencil factory that brought them a measure of prosperity. Henry was a genius who loved to explore his native town of Concord and the fields, swamps, woods and mountains of his native region. Thoreau traveled widely through Maine, Canada, distant Minnesota and his native state. He graduated high in his Harvard class. Following graduation he worked in the penci factory, became a professional surveyor, handyman, carpenter, ditch digger and was known for his lecturing, poetry, magazine essays and his famous book Walden. This great classic details his life living in a self made cabin near Walden Pond in 1845-1846. Throreau lived with the family of Ralph Waldo Emerson for a few years becoming a transcendentalist philosopher. He spoke several languages poring over the sacred scriptures found in many Eastern cultures. He never married and his sexuality has been much debated with no firm conclusions drawn. Thoreau was an eccentric man who could be cold and aloof but also warm and loving. He loved children, birds, animals, the fields and woods of Concord. He is known today as a pioneer of ecology and an important advocate of simple living at one with nature. He was also a fervid abolitonist befriending John Brown and his family. He spent a night in jail rather than pay taxes to support a government which fought a war against Mexico and enlsaved African-Americans. He was a friend of such llterary luminaries as Emerson, Walt Whitman, Margaret Fuller, Nathaniel Hawthorne, Ellery Channing and many others. He live a rich and full life.Thoreau was a gentle genius whose philosophy of peace and harmony with humanity and nature is worthy of emulation. It is obvious the author Walls is a fan of Thoreau and so am I! Read this great biography and spend time in the wilderness and cabin with a great American author and human being. Highly recommended!

Walls brings Thoreau vividly to life here. The depth of her research makes possible the kind of detail which matters in a biography. He had far more friends than I was aware of. Thoreau's journeys were generally with at least one companion, starting with his brother John; His first book was an elegy to that brother, who died young but not before successfully asking the same young woman-- whom Henry David loved all his life--to marry him--a promise her father squelched on religious grounds. Thoreau's final journey, to Minnesota, was with the young son of Horace Mann. I Walls traces the ups and downs of Thoreau's friendship with Emerson, who often criticized Thoreau for not being more ambitious, but who recognized belatedly--after Thoreau died--that the younger man had a better mind than he had himself. Thoreau was good with children, notably Emerson's. On his deathbed he assured his family that the children who wanted to see him would not disturb him and three hundred of them attended his funeral.Wall details Thoreau's intense interest in science, and some of his discoveries, notably about forest succession. He was elected to more than one scientific society; he declined to renew membership in one simply because he was not in a position to attend its annual meeting. He was never prosperous, though he was highly successful in making technical discoveries about graphite which assured the prominence of the family' business. His expert surveying practice went a long way in supporting his family. He earned money lecturing, but not much. In this, he was witty, sometimes not well understood, but on occasion uproariously successful, until the final time when he was in his final illness. Along with the female members of his family, Thoreau was a passionate and active abolitionist and he did his bit with the underground railroad.Famous for Walden and Civil Disobedience, Thoreau wrote far more, especially in his journals. His "Walking" and "Slavery in Massachusetts" are outstanding examples. I had not known about the posthumous discovery and editing of his final book, Wild Fruits, which Walls mentions repeatedly, though I had to go to her notes to find that it was actually published (and is available from Amazon.)

Henry David Thoreau, philosopher, naturalist, author of Walden and "Civil Disobedience" is one of the greatest Americans ever. He led no troops. He held no political office. He barely had a job in the strict sense. His was a movement built on the word and through example. With this, he inspired some of the most important political movements of the 20th century. He has now found a biographer who can do him justice. Beautifully written, A Life captures the many sides of Thoreau and his attempt to come to terms with a changing America. He also provided the language that would bring a deeper appreciation of the natural environment. Most of all, Thoreau teaches us how to live deliberately, in an age increasingly driven by image, commercialism, and the pursuit of money. A must read. I liked Thoreau even better after reading this biography.

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Sunday, February 18, 2018

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Free Ebook The Cruel Prince (The Folk of the Air), by Holly Black

Free Ebook The Cruel Prince (The Folk of the Air), by Holly Black

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The Cruel Prince (The Folk of the Air), by Holly Black

The Cruel Prince (The Folk of the Air), by Holly Black


The Cruel Prince (The Folk of the Air), by Holly Black


Free Ebook The Cruel Prince (The Folk of the Air), by Holly Black

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The Cruel Prince (The Folk of the Air), by Holly Black

From School Library Journal

Gr 9 Up—Human Jude has been raised along with her twin, Taryn, and half-sibling, Vivi, in Faerieland by Madoc, the faerie who murdered her parents. This intricate realm is filled with beautiful, blood-thirsty, playful, and powerful faeries who seem to have no patience or use for humans beyond enslaving them with magic. Despite this, Jude is determined to earn respect and a place in it all by becoming a knight. First in a planned trilogy, this YA fantasy features a political scramble reminiscent of Game of Thrones, with spies, manipulation, romance, swordplay, betrayal, and an intoxicating darkness that manages to enrapture Jude and readers. Black has created a brutal and captivating world, filled with complex characters and their intricate and layered relationships. Jude is a mighty heroine; strong, smart, cunning, and yet completely vulnerable. Teens meet her as she's no longer interested in restraining her emotions and actions and is willing to give up anything in order to work for what she wants, which makes for a powerful and dangerous damsel getting herself out of distress. VERDICT Another fantastic, deeply engaging, and all-consuming work from Black that belongs on all YA shelves.—Emily Moore, Camden County Library System, NJ

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Review

Praise for The Cruel Prince:A New York Times BestsellerAn IndieBound BestsellerA Boston Globe Best Book of 2018An ALA 2019 Children's Notables List Pick"Black is a master at world-building, conveying integral details without that information ever seeming tedious or encyclopedic, whether you're well versed in faerie or a newcomer to the genre....the experience of reading a novel like this is something like being surrounded by magic."―The New York Times Book Review"Lush, dangerous, a dark jewel of a book. Black's world is intoxicating, imbued with a relentless sense of peril that kept me riveted through every chapter of Jude's journey. And Jude! She is a heroine to love--brave but pragmatic, utterly human. This delicious story will seduce you and leave you desperate for just one more page."―Leigh Bardugo, #1 New York Times bestselling author of Six of Crows and Crooked Kingdom"I require book two immediately. Holly is the Faerie Queen."―Victoria Aveyard, #1 bestselling author of The Red Queen series* "[S]pellbinding....Breathtaking set pieces, fully developed supporting characters, and a beguiling, tough-as-nails heroine enhance an intricate, intelligent plot that crescendos to a jaw-dropping third-act twist."―Publishers Weekly, starred review* "Another fantastic, deeply engaging, and all-consuming work from Black that belongs on all YA shelves."―School Library Journal, starred review* "Jude, who struggles with a world she both loves and hates and would rather be powerful and safe than good, is a compelling narrator. Whatever a reader is looking for--heart-in-throat action, deadly romance, double-crossing, moral complexity--this is one heck of a ride."―Booklist, starred review"This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life. Black is building a complex mythology; now is a great time to tune in."―Kirkus Reviews* "Black, quite rightly, is the acknowledged queen of faerie lit, and her latest shows her to be at the top of her game, unveiling twists and secrets and bringing her characters vividly to life."―VOYA, starred review"With complicated characters, a suspenseful plot, and a successful return to the Faerie setting of many of her popular books, Black's latest is sure to enchant fans."―The Horn Book

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Product details

Series: The Folk of the Air (Book 1)

Hardcover: 384 pages

Publisher: Little, Brown Books for Young Readers; Exclusive signed copy edition (January 2, 2018)

Language: English

ISBN-10: 0316310271

ISBN-13: 978-0316310277

Product Dimensions:

6.5 x 1.2 x 9.5 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

759 customer reviews

Amazon Best Sellers Rank:

#9,127 in Books (See Top 100 in Books)

There's a couple things you should realize about this book before deciding to read it. 1) The reviews are a little over-hyped. I was looking for something to help me with my book withdrawal after finishing SJ Maas's trilogy. This book kept showing up as a recommendation and I finally bit the bullet and downloaded a sample. It didn't grasp my attention at the time and I didn't bother buying it, instead I read some other books in lieu of this one.Now, it's been a while since I downloaded the sample but my thoughts did go back to this book from time to time. Something about it DID intrigue me.Now this brings me to point #2. The first half of the book isn't the greatest. You will probably dislike all of the characters which is a major frustration. You can definitely get into the feel of the world and stay there, a testament to the author's ability to good writing but the 3 sisters, Jude, Taryn, and Vivi feel like they have no personalities at all. The author tries to convince us in a particular chapter that Jude has been through a lot and gives you a glimpse into the twisted way of faeries. This is supposed to reinforce our thoughts that Jude is only a lowly pawn with a predestined life filled with misery and misfortune. This is why she is dull and non-responsive to her own feelings and thoughts.That wasn't completely supportive enough to justify how bland Jude was. Her inner monologues were thoroughly lacking in regards to bringing the story to life.Once you hit the second part of the novel, that's when things begin to pick up the pace and the book becomes a true page turner. It's as if someone else penned the second half of the novel. Someone who breathes in life and vigor to the plot. Jude becomes sharper, smarter, wittier. I have some issues with that as she was not exactly like that during the first half of the novel. And how she concocts a masterful plan and predicts the outcomes is a little above what I thought she was capable of within such a limited time of playing the Fae game.Certain elements and plots come to light. It makes you abhor certain characters even more and makes you want to find out what some characters are ultimately up to. And some even manage to redeem themselves, although not entirely just yet. There is a lot of potential here for the next novel and I am really looking forward to seeing what Cardan will do to Jude after what goes down at the end of the novel. I also want to know what Locke's endgame is. True to what he says earlier, he is indeed a trickster; a very dirty one at that. Will Jude also be punished for her crime of murder? How will that (literally) be uncovered?I primarily read adult novels and I do appreciate a good dollop of romance. If this was an adult novel, I would be expecting quite a few feisty and interesting scenes between Cardan and his new 'master', Jude. *Sigh*. One can only wish.If you are on the fence about this novel but do enjoy YA novels with plot twists, conspiracy, and revenge then I would recommend this book to you. Just do yourself a favor and give yourself time to get to the turning point in the novel. I promise, it gets much more intriguing.

Did I just read the same book that everyone else did?...If I had to describe this book with one word, I would keep it simple and just say- bad. But, in bold and all caps BAD. And underlined.I wasn’t super drawn to this book from the summary, but it had glowing reviews so I was pretty excited to read it. That excitement quickly turned into annoyance (and sometimes rage.)First, this book is told in first person, present tense narrative. Now, I love first person narrative, but I’m a little more picky about narratives in the present tense- I think it takes a skilled writer to pull it off, otherwise the narrative falls completely flat. I want to feel like I’m inside the protagonist’s head, living the story with them. Instead, this book reads like a choppy diary- all of the present tense words are used, but I still felt like I was being told the story in past tense. This even becomes blatantly obvious in chapter 6, when Jude, our protagonist, says “I’ve told this story all wrong.”I also felt that this book was incredibly juvenile. Yes it is YA, but our 17 year old protagonist acts/talks like she is 12. I *maybe* would have chalked that up to her background- she’s spirited away to faerie-land or whatever the heck it’s called (we’re told but I instantly forgot) with her sisters when she is 7, and raised by her parent’s killer in a foreign land with foreign creatures, so maybe she didn’t mature like she would have if she had remained in the human world? However, ALL of the characters in this book act extremely childish, especially the faeries. We’re told that they’re ancient and immortal and beautiful and fanciful, but they’re portrayed so awkwardly that they come across as “powerful” children. (I use quotes because there’s like, zero exciting magic in this book.)Which brings me to the characters- none of which are likable. Especially our protagonist Jude. She’s whiny, awkward, and flat out stupid a lot of the time. She’s constantly trying to convince us (herself?) that she *just* wants to become more powerful than the faeries she hates because then she can finally beat them because they’re horrible creatures, but then she also pines away to be EXACTLY like them.At one point, our antagonist Cardan, one of the faerie princes who is especially awful to her (he even kicks dirt onto her food and then tells her to eat it! *gaspTo which she replies, “Make me.” It was an especially harrowing encounter.) anyway, at one point he’s finally telling her all of the reasons why he hates her, and he says, “Most of all, I hate you because I think of you. Often. It’s disgusting and I can’t stop.”And I s**t you not, Jude, our “bad*ss” who supposedly hates him but wants to be just like him, is so shocked by this turn of events that she kisses him. And she *another gasp* LIKES it.Wtf? Is this romance in faerie-land? Because I’ll pass, k thx.As for Cardan, how old is he, anyway? Seriously, I don’t think we ever get even a hint at his age, just that he’s the youngest of the immortal princes/ princesses. Is he older than Jude? Because they act like they’re at the exact same maturity level, and he’s supposedly far, far older than the poor, measly mortal.I think the only characters I could stand were prince Dain’s three spies- Ghost, Bomb, and something else- and Vivi. Actually, no, I wasn’t super impressed with Vivi either, as she’s one of the somewhat main characters and had zero development.Speaking of development, that brings me to another point- the development of the faerie world is non-existent. Black gives us all of these pretty descriptions, but they’re of extremely pointless things- why do I need to know exactly what the seamstress (whose name we were given but I immediately forgot) looks like? “Her feet are turned backward, giving her an odd gait. Her eyes are like those of a goat, brown with a horizontal line of black just at the center. She is wearing an example of her work, a woven dress with embroidered lines of thorns making a striped pattern down the length of it.”We never meet this person again, and I forgot everything about her instantly because I DIDN’T CARE. I’m all for world depiction, but when you go this into detail about a seamstress (or a servant, or a professor, or how Jude takes her tea along with a full description of the freaking cup she drinks it out of, etc.) and yet glaze over a main plot point such as the battle tournament that Jude won’t shut up about the entire first half of the book like this-All through the first battle, I fight defensively. I avoid Cardan. Nor do I come near Nicasia, Valerian, or Locke, even when Valerian knocks Fand to the dirt. Even when Valerian rips down our deer hide. Still, I do nothing. Then we are called to the field for the second battle. ... We’re supposed to play at war. When they call us to our places, I play. I play as viciously as possible. My practice sword cracks against Cardan’s ridiculous chest plate. My shoulder bangs against Valerian’s shoulder so hard that he staggers back. I attack again and again, knocking down anyone wearing a silver armband. When the mock war is over, my eye is blackened and both of my knees are skinned and the gold side has won the second and third battles.- then, we’ve got a problem. This is how Black writes the entire book, and it’s just plain irritating to read. There are excursions to the human world that are completely pointless, and yet we still get a full description of how faeries handle periods when Jude “buys” tampons.Jude: I know what you’re wondering.No, Jude, you don’t. You really don’t.Black’s misplaced and excessive descriptions aren’t the only issues I had with her writing, either. I couldn’t stand how 1) Jude’s diary entries portrayed emotion/ expression/ etc, and 2) how Jude speaks/ thinks.Black grossly overuses adjectives and adverbs, and Jude frequently switches between very proper/borderline medieval-sounding English and slang, which makes it an incredibly awkward and jarring read.Examples:A wave of panicky frustration comes over me at the sight of her intent expression.(What the H E double L does panicky frustration look like?)Taryn watches me intently, as though trying to warn me with her gaze.(Why is everyone staring so damn intently?)I have not yet become paranoid enough.(... what...)They converse for a moment, then Taryn departs. Cardan notices my noticing. He sniffs, as though the very smell of me offends him.(I’m noticing that this book sucks.)I am going to have to trust that he will keep his part of the bargain, but I mislike this kind of calculation.(The word is DISLIKE, quit trying so hard to sound so eloquent.)He looks a question at me, and I shake my head before I slump down in the grass.(HOW DO YOU LOOK A QUESTION, BLACK?)It shouldn’t shock me that the Court of Faerie is corrupt and kind of gross.(No Jude, it shouldn’t.)Basically, like everything about Faerie, geases are awesome, and also they suck.(Sucks, like this book.)I do not understand why he likes me, but it is exciting to be liked.(🤦🏼‍♀️🤦🏼‍♀️🤦🏼‍♀️)I could go on and on- and I won’t even begin to speculate on the answers to my other questions, questions like how can Jude and her sisters stand to live with their parents’ killer, and yet they break down emotionally at juvenile bullying? Is faerie-land in another dimension, or is in rolling human hills and in shadows of human buildings (no I didn’t make that up) and everyone in faerie-land is just really f***ing small? DO HUMANS KNOW ABOUT FAERIES OR NOT?!But instead, I’ll just take a chapter from Jude’s diary: buck up, and stop feeling my feelings.I would say until next time, but I don’t think I’ll be reading any more of Black’s books any time soon, which pains me to admit because I rarely quit a series. Even if the writing is bad, if the characters are captivating I’ll hang in there, and vice versa. Sadly, that’s not the case here. I’ve read one book, and it was enough.Jude: I have done the thing, and now I must live with what I have done.Me too, Jude, me too.

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The Cruel Prince (The Folk of the Air), by Holly Black PDF
The Cruel Prince (The Folk of the Air), by Holly Black PDF

Tuesday, February 6, 2018

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Free PDF The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard))

Free PDF The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard))

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The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard))

The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard))


The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard))


Free PDF The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard))

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The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard))

Product details

Series: Joy Books (Hal Leonard)

Paperback: 80 pages

Publisher: Yorktown Music Press (January 1, 1992)

Language: English

ISBN-10: 0711901244

ISBN-13: 978-0711901247

Product Dimensions:

9 x 0.2 x 12 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,459,556 in Books (See Top 100 in Books)

The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) PDF
The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) EPub
The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) Doc
The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) iBooks
The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) rtf
The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) Mobipocket
The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) Kindle

The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) PDF

The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) PDF

The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) PDF
The Joy of Folk Songs: Piano Solo (Joy Books (Hal Leonard)) PDF